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Vicki Noble, who with Karen Vogel created the Motherpeace Tarot Deck in the late 1970s, hasn’t really kept up with the latest happenings in the community of divinatory playing cards. But when Maria Grazia Chiuri, the artistic director of Christian Dior, called and said she wanted to incorporate the Motherpeace into a fashion line, she and Ms. Vogel agreed. Both felt that it could breathe new life into their 40-year-old deck.

Almost six months after Dior’s fashion show in Santa Monica, Calif., Motherpeace sales have skyrocketed, up 263 percent from last year, according to Stuart Kaplan, the chairman and owner of U.S. Games Systems, a global distributor.

“I feel like this is a wave, and we should catch it,” Ms. Noble said.

Tarot-deck sales in general are up 30 percent this year, after rising 30 percent in 2016 — the highest in 50 years, according to Lynn Araujo, the editorial and communications director for U.S. Games Systems. The company sells hundreds of thousands of decks a year, including Motherpeace, the Rider-Waite Tarot Deck and 123 other varieties.

The tarot boom comes as no surprise to Libby Edelson, a senior editor at HarperCollins. In 2015 an unusual new deck called the Wild Unknown caught her eye. With images of plants and animals instead of people, the deck had attracted a dedicated following and was selling out with each new edition. Ms. Edelson acquired the rights to sell the deck with the accompanying guidebook and watched this package climb best-seller lists.

“Now there’s this whole new wave of tarot,” said Kim Krans, the creator of the Wild Unknown Tarot deck. “People are saying things like, ‘I’m going to quit my job and become a tarot reader.’” Ms. Krans attributes her success both to Instagram, on which she has posted images of her cards, and tarot’s incursion, like crystals and yoga mats before it, into modern boutiques rather than dusty occult stores.

“There used to be this idea of tarot being connected to that chick in a shop behind a neon sign who’s going to take you for a ride and tell your future,” said Sasha Graham, a tarot reader and author. “That’s different now. Witchcraft and feminist spirituality, especially in our political climate, are having a moment. Tarot is part of that.”

And what could be more of the moment than crowdfunding?

Tarot projects have been on the rise for the last five years at least, according to David Gallagher, senior director of communications at Kickstarter. In 2013 there were 37 such projects. In 2017 there have been 88, including decks created with more diverse audiences in mind.

Cristy Road, a Cuban-American illustrator, funded the Next World Tarot with a Kickstarter in December 2015. Inspired by her friends and acquaintances, the deck features images of gay couples, people in wheelchairs, women in hijabs, minorities, the poor and seniors, set against a dystopian landscape.

“We want to find ourselves in our decks, and we want them to tell our story,” Ms. Road wrote of her project. “My stories are about smashing systematic oppression, owning our truths, being accountable to the people and places that support us, and taking back a connection to your body that may have been lost through trauma or societal brainwashing.”

Lindsay Mack, a tarot reader and teacher in Brooklyn, said that she has seen more customers of late seeking help connecting to their life purpose, rather than answers about their fate.

“Tarot is very trendy right now, but more people are coming in with inquiries that are very thoughtful and beyond themselves,” Ms. Mack said. Contrary to popular belief, she said, and opposed to the fortuneteller’s crystal ball, tarot has never been about predicting the future.

“It’s a mirror,” she said. “It’s an invitation into the present moment.”